I've been experimenting with various types of printmaking for several years and love the element of surprise as the print comes off the press. As with my other works, I am drawn to organic imagery. I often use actual plant material to make a collagraph or, when creating a monoprint, press a plant to the plate to make an impression. I combine techniques, using monoprint to modify a collagraph, and usually bring the image to the computer for further modifications.